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            <text>Komisija za očuvanje nacionalnih spomenika Bosne i Hercegovine (komisija u sastavu Zeynep Ahunbay, Martin Cherry, Amra Hadžimuhamedović, Dubravko Lovrenović i Ljiljana Ševo). 2013. Odluka o proglašenju Kulturnog pejzaža na Plavoj vodi u Travniku nacionalnim spomenikom Bosne i Hercegovine. (Odluka broj: 07.2-2.3-53/13-17, 26. aprila 2013. godine). Sarajevo. &#13;
Dostupno na: http://aplikacija.kons.gov.ba/kons/public/uploads/odluke_bos/Travnik%20Plava%20voda%20BOS.rar (20.12.2022.)&#13;
&#13;
Mujezinović, Mehmed. 1970. C. natpisi na sepulkralnim spomenicima. Prilozi za orijentalnu filologiju, 16-17, str. 213–306. Dostupno na: https://pof.ois.unsa.ba/index.php/pof/article/view/716 (2.12.2022.)&#13;
&#13;
Mujezinović, Mehmed. 1977. Islamska epigrafika Bosne i Hercegovine. Knjiga II – Istočna i Centralna Bosna. Sarajevo: Veselin Masleša.</text>
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          <name>Worktype</name>
          <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
          <elementTextContainer>
            <elementText elementTextId="1571">
              <text>TURBE (mauzolej) </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="163">
          <name>Location</name>
          <description>The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.</description>
          <elementTextContainer>
            <elementText elementTextId="1572">
              <text>Travnik</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="161">
          <name>Description</name>
          <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
          <elementTextContainer>
            <elementText elementTextId="1573">
              <text>U ovom otvorenom potkupolnom turbetu na šest stubova,  u kome su dva mezara, sa nišanima i sa natpisima, sahranjeni su Mehmed-efendija i njegova supruga Ajiša-hanuma. Mujezinović (1977: 396) navodi kako o ovom travničkom muftiji osim natpisa na nišanu nemamo drugih biografskih podataka. Muftijina žena Ajiša-hanuma preminula je do dvije godine iza svoga muža.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="159">
          <name>Cultural Context</name>
          <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
          <elementTextContainer>
            <elementText elementTextId="1585">
              <text>Bosanskohercegovački</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="170">
          <name>Style Period</name>
          <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
          <elementTextContainer>
            <elementText elementTextId="2097">
              <text>Osmanski period u BiH</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="162">
          <name>Inscription</name>
          <description>All marks or written words added to the object at the time of production or in its subsequent history, including signatures, dates, dedications, texts, and colophons, as well as marks, such as the stamps of silversmiths, publishers, or printers.</description>
          <elementTextContainer>
            <elementText elementTextId="2667">
              <text>Mujezinović (1977: 396)  donosi natpis na nišanu travničkog muftije Mehmed-efendije:&#13;
»On (Bog) je vječni tvorac!&#13;
Izvor vrlina, popularni učenjak, pobožni&#13;
muftija, &#13;
Bijaše prvak u idžtihadu i rješavanju&#13;
pravnih pitanja,&#13;
Taj časni čovjek dugi niz godina je bio&#13;
prvak u izdavanja fetvi.&#13;
Čiste vanjštine i moralnih osobina kojem&#13;
se svak pokoravao,&#13;
Plemenit i odlučan, more dobrote, Muhamedovih&#13;
osobina,&#13;
Milostiva i čista srca, počašćen dobrotom&#13;
Gospodara (Boga),&#13;
Imenjak ponosa svijeta (Muhameda), najučeniji&#13;
čovjek,&#13;
Dobar drug i poštovana ličnost, kojem ne&#13;
bijaše ravnog.&#13;
Za njegova službovanja je cvjetala ustanova&#13;
šerijata,&#13;
Pa neka mu to bude povod nagradi u vječnosti.&#13;
O smrti!&#13;
Glas »Vrati se« i »uniđi« (u raj), taj časni&#13;
poziv,&#13;
Neka mu Istiniti udijeli na drugom svijetu&#13;
stepen šehida.&#13;
Njegova duša odnesena je na krilima ptice&#13;
u vječne dvore.&#13;
Neka je u raju u društvu rajskih ljepotica.&#13;
Ostavio je potomstvo u velikoj tuzi,&#13;
Tužnog srca neviđeni glas jezikom svetosti&#13;
reče&#13;
Poput Kerubijana Esad mu izreče kronogram&#13;
smrti:&#13;
Bože! Neka je umrlom mjesto u visokom&#13;
raju Firdevsu.&#13;
Godina 1194.« (1780)&#13;
&#13;
Natpis na nišanu Ajiša-hanume:&#13;
»On (Bog) je vječni tvorac!&#13;
Godina 1196 (1781/82)&#13;
Odraz svjetla milosti, izvor opće dobrote&#13;
...&#13;
Umrla je imenjak sretne majke vjernika &#13;
(Ajiše)&#13;
Hadže, koja je posjetila časnu kuću (Kabu)&#13;
(Ovdje dva stiha oštećena i nečitka)&#13;
Odselila je iz prolazne u vječnu kuću,&#13;
I blizu svoga muža dospjela u kuću užitka&#13;
(raj)&#13;
Kada joj je stigao časni poziv »Vrati se«,&#13;
Njena časna osoba dospjela je u ovaj grob.&#13;
...&#13;
U pjesmi joj Seid izriče kronogram:&#13;
I to potpuni kronogram uz molitvu:&#13;
Neka je umrloj i u grobu mjesto kao u raju.&#13;
Godina 1196 (1781/82)" (Mujezinović, 1977: 397)&#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="164">
          <name>Material</name>
          <description>The substance of which a work or an image is composed.</description>
          <elementTextContainer>
            <elementText elementTextId="2709">
              <text>Sedra</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="3">
      <name>18. stoljeće</name>
    </tag>
    <tag tagId="163">
      <name>Ajiša-hanuma</name>
    </tag>
    <tag tagId="92">
      <name>bh. nepokretna kulturna baština</name>
    </tag>
    <tag tagId="93">
      <name>bh. nepokretno kulturno naslijeđe</name>
    </tag>
    <tag tagId="90">
      <name>bosanskohercegovačka turbeta</name>
    </tag>
    <tag tagId="123">
      <name>bosanskohercegovačka turbeta 18. stoljeća</name>
    </tag>
    <tag tagId="91">
      <name>bosanskohercegovački nacionalni spomenici</name>
    </tag>
    <tag tagId="98">
      <name>Bosna i Hercegovina</name>
    </tag>
    <tag tagId="117">
      <name>digitalna humanistika</name>
    </tag>
    <tag tagId="100">
      <name>mauzolej</name>
    </tag>
    <tag tagId="164">
      <name>Mehmed-efendija</name>
    </tag>
    <tag tagId="129">
      <name>otvoreno potkupolno turbe</name>
    </tag>
    <tag tagId="66">
      <name>Plava voda</name>
    </tag>
    <tag tagId="7">
      <name>Travnik</name>
    </tag>
    <tag tagId="99">
      <name>turbe</name>
    </tag>
    <tag tagId="87">
      <name>turbeta u BiH</name>
    </tag>
  </tagContainer>
</item>
